andrew_gelman_stats andrew_gelman_stats-2011 andrew_gelman_stats-2011-572 knowledge-graph by maker-knowledge-mining

572 andrew gelman stats-2011-02-14-Desecration of valuable real estate


meta infos for this blog

Source: html

Introduction: Malecki asks: Is this the worst infographic ever to appear in NYT? USA Today is not something to aspire to. To connect to some of our recent themes , I agree this is a pretty horrible data display. But it’s not bad as a series of images. Considering the competition to be a cartoon or series of photos, these images aren’t so bad. One issue, I think, is that designers get credit for creativity and originality (unusual color combinations! Histogram bars shaped like mosques!) , which is often the opposite of what we want in a clear graph. It’s Martin Amis vs. George Orwell all over again.


Summary: the most important sentenses genereted by tfidf model

sentIndex sentText sentNum sentScore

1 Malecki asks: Is this the worst infographic ever to appear in NYT? [sent-1, score-0.514]

2 To connect to some of our recent themes , I agree this is a pretty horrible data display. [sent-3, score-0.678]

3 Considering the competition to be a cartoon or series of photos, these images aren’t so bad. [sent-5, score-0.723]

4 One issue, I think, is that designers get credit for creativity and originality (unusual color combinations! [sent-6, score-0.916]

5 ) , which is often the opposite of what we want in a clear graph. [sent-8, score-0.316]


similar blogs computed by tfidf model

tfidf for this blog:

wordName wordTfidf (topN-words)

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simIndex simValue blogId blogTitle

same-blog 1 1.0 572 andrew gelman stats-2011-02-14-Desecration of valuable real estate

Introduction: Malecki asks: Is this the worst infographic ever to appear in NYT? USA Today is not something to aspire to. To connect to some of our recent themes , I agree this is a pretty horrible data display. But it’s not bad as a series of images. Considering the competition to be a cartoon or series of photos, these images aren’t so bad. One issue, I think, is that designers get credit for creativity and originality (unusual color combinations! Histogram bars shaped like mosques!) , which is often the opposite of what we want in a clear graph. It’s Martin Amis vs. George Orwell all over again.

2 0.14002302 1862 andrew gelman stats-2013-05-18-uuuuuuuuuuuuugly

Introduction: Hamdan Azhar writes: I came across this graphic of vaccine-attributed decreases in mortality and was curious if you found it as unattractive and unintuitive as I did. Hope all is well with you! My reply: All’s well with me. And yes, that’s one horrible graph. It has all the problems with a bad infographic with none of the virtues. Compared to this monstrosity, the typical USA Today graph is a stunning, beautiful masterpiece. I don’t think I want to soil this webpage with the image. In fact, I don’t even want to link to it.

3 0.11974309 722 andrew gelman stats-2011-05-20-Why no Wegmania?

Introduction: A colleague asks: When I search the web, I find the story [of the article by Said, Wegman, et al. on social networks in climate research, which was recently bumped from the journal Computational Statistics and Data Analysis because of plagiarism] only on blogs, USA Today, and UPI. Why is that? Any idea why it isn’t reported by any of the major newspapers? Here’s my answer: 1. USA Today broke the story. Apparently this USA Today reporter put a lot of effort into it. The NYT doesn’t like to run a story that begins, “Yesterday, USA Today reported…” 2. To us it’s big news because we’re statisticians. [The main guy in the study, Edward Wegman, won the Founders Award from the American Statistical Association a few years ago.] To the rest of the world, the story is: “Obscure prof at an obscure college plagiarized an article in a journal that nobody’s ever heard of.” When a Harvard scientist paints black dots on white mice and says he’s curing cancer, that’s news. When P

4 0.11471077 863 andrew gelman stats-2011-08-21-Bad graph

Introduction: Dan Goldstein points us to this : It’s a good infographic–it grabs the reader’s eye ( see discussion here ), no? P.S. The above remark is not meant as a dig at infographics. On the contrary, I am sincerely saying that a graph that violates all statistical principles and does not do a good job at displaying data, can still be valuable and useful as a data graphic. For this infographic, the numbers are used as ornamentation to attract the viewer, just as one might use a cartoon or a dramatic photo image. P.P.S. At Hadley’s suggestion (see comment below), I’ve changed all uses of “infovis” above to “infographic.”

5 0.11316612 112 andrew gelman stats-2010-06-27-Sampling rate of human-scaled time series

Introduction: Bill Harris writes with two interesting questions involving time series analysis: I used to work in an organization that designed and made signal processing equipment. Antialiasing and windowing of time series was a big deal in performing analysis accurately. Now I’m in a place where I have to make inferences about human-scaled time series. It has dawned on me that the two are related. I’m not sure we often have data sampled at a rate at least twice the highest frequency present (not just the highest frequency of interest). The only articles I’ve seen about aliasing as applied to social science series are from Hinich or from related works . Box and Jenkins hint at it in section 13.3 of Time Series Analysis, but the analysis seems to be mostly heuristic. Yet I can imagine all sorts of time series subject to similar problems, from analyses of stock prices based on closing prices (mentioned in the latter article) to other economic series measured on a monthly basis to en

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lsi for this blog:

topicId topicWeight

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Introduction: Malecki asks: Is this the worst infographic ever to appear in NYT? USA Today is not something to aspire to. To connect to some of our recent themes , I agree this is a pretty horrible data display. But it’s not bad as a series of images. Considering the competition to be a cartoon or series of photos, these images aren’t so bad. One issue, I think, is that designers get credit for creativity and originality (unusual color combinations! Histogram bars shaped like mosques!) , which is often the opposite of what we want in a clear graph. It’s Martin Amis vs. George Orwell all over again.

2 0.71983957 294 andrew gelman stats-2010-09-23-Thinking outside the (graphical) box: Instead of arguing about how best to fix a bar chart, graph it as a time series lineplot instead

Introduction: John Kastellec points me to this blog by Ezra Klein criticizing the following graph from a recent Republican Party report: Klein (following Alexander Hart ) slams the graph for not going all the way to zero on the y-axis, thus making the projected change seem bigger than it really is. I agree with Klein and Hart that, if you’re gonna do a bar chart, you want the bars to go down to 0. On the other hand, a projected change from 19% to 23% is actually pretty big, and I don’t see the point of using a graphical display that hides it. The solution: Ditch the bar graph entirely and replace it by a lineplot , in particular, a time series with year-by-year data. The time series would have several advantages: 1. Data are placed in context. You’d see every year, instead of discrete averages, and you’d get to see the changes in the context of year-to-year variation. 2. With the time series, you can use whatever y-axis works with the data. No need to go to zero. P.S. I l

3 0.68694234 1896 andrew gelman stats-2013-06-13-Against the myth of the heroic visualization

Introduction: Alberto Cairo tells a fascinating story about John Snow, H. W. Acland, and the Mythmaking Problem: Every human community—nations, ethnic and cultural groups, professional guilds—inevitably raises a few of its members to the status of heroes and weaves myths around them. . . . The visual display of information is no stranger to heroes and myth. In fact, being a set of disciplines with a relatively small amount of practitioners and researchers, it has generated a staggering number of heroes, perhaps as a morale-enhancing mechanism. Most of us have heard of the wonders of William Playfair’s Commercial and Political Atlas, Florence Nightingale’s coxcomb charts, Charles Joseph Minard’s Napoleon’s march diagram, and Henry Beck’s 1933 redesign of the London Underground map. . . . Cairo’s goal, I think, is not to disparage these great pioneers of graphics but rather to put their work in perspective, recognizing the work of their excellent contemporaries. I would like to echo Cairo’

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Introduction: Gabriel Bergin writes: Just thought I’d share an infographic you might enjoy. I [Bergin] quite like what they did with the colored ranges of previous curves in the two middle graphs: I like it. Would it be possible to put the two long time series on the same scale? As it is, one starts in 1948 and the other starts in 1980. The only thing about the display that I really don’t like are those balls on the top indicating the duration of recessions. It looks weird to me to display a time duration in the form of the area of a ball.

5 0.67946351 878 andrew gelman stats-2011-08-29-Infovis, infographics, and data visualization: Where I’m coming from, and where I’d like to go

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lda for this blog:

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[(16, 0.677), (24, 0.063), (95, 0.046), (99, 0.082)]

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Introduction: Malecki asks: Is this the worst infographic ever to appear in NYT? USA Today is not something to aspire to. To connect to some of our recent themes , I agree this is a pretty horrible data display. But it’s not bad as a series of images. Considering the competition to be a cartoon or series of photos, these images aren’t so bad. One issue, I think, is that designers get credit for creativity and originality (unusual color combinations! Histogram bars shaped like mosques!) , which is often the opposite of what we want in a clear graph. It’s Martin Amis vs. George Orwell all over again.

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